Monday, January 9, 2012
The Gothicism of American Gothic: "Rebirth"
[For the previous entry, click here.]
Initially, the premise of this episode makes it seem like something from The Ghost Whisperer rather than the grim fare the audience has come to expect from American Gothic. Tired of her angelic afterlife--of her inability to touch or feel anything when she makes her visitations to her brother Caleb--Merlyn works to take on corporeal form once again. She manages to reincarnate, assumes a new identity ("Halle Monroe"), revels in the joys of earthly existence, and even experiences love for the first time.
But all is not as saccharine as this synopsis might make seem. Early in the episode, Caleb is shown to be a lonesome object of derision, as a group of teens taunt him about his ignominious family history. Caleb has been tainted by the scandal surrounding the Temples, and observing his mistreatment, Marlyn appears to him lamenting that "It's the sins of the Father, and it ain't right." This notion of generational plague is a recurrent theme in Gothic narratives.
Other Gothic trappings are also evident in "Rebirth"--literally, Ray (the motorcycle-riding local with whom Merlyn falls in love) is entrapped in a police cruiser when Sheriff Buck uses his powers to lock the innocent young man inside the vehicle on a suffocatingly hot afternoon. The episode also offers a bit of Poe-esque grotesquerie when Buck forces Ray to dig up Merlyn's grave and discover that his dearly beloved girl has already departed. We are only given brief glimpse of Merlyn in decomposing repose, but it is no doubt a haunting image.
Buck, seeing through the "Halle" disguise," eventually confronts Merlyn. He doesn't seek to banish her, though. Instead, he encourages her to continue on frolicking in fleshly form. But Merlyn knows enough about Buck to recognize devilish temptation: she has returned to life by borrowing the spirit of a pregnant woman's child, and if she doesn't return that vital force to its rightful owner, the child will die before it has a chance to be born (perhaps killing the mother in the process). Rather than committing "the ultimate sin," and losing Caleb's faith in her in the process, Merlyn chooses to take a suicide dive off the side of a bridge. And so for the second time in the first half-season of the series, Merlyn suffers a shocking death.
Labels:
A.G.T.V.
Saturday, January 7, 2012
"Primal" (Flash Fiction)
The following piece of flash fiction was published in the anthology Poe Little Thing Presents: In Space No One Can Hear You Scream, which came out last year and quickly dropped off the face off the earth (it's not even listed on the publisher's website!). So I thought I would post my story--a bit of sci-fi horror that riffs on one of my favorite weird tales--here at Macabre Republic.
Primal
by Joe Nazare
“...A-A-A-a-A-A-A-A-a-A-A-A-A-A-A!”
Wilmar screamed his lungs deflated, fogging a miniature nimbus onto his visor. Then just hung there, grinning, luxuriating in the immense, star-dappled blanket enveloping him.
His mood settled to a soothing “ahhhhh,” like the sigh of grass after a rainstorm—back in the days when Earth still sported lawns.
“Wow, nice yowl,” Blakely, his Spacewalk Liaison, broke in via the helmet radio. “You’ve still got about three minutes left—plenty o’ time to build up for another outburst. Or if you’ve had enough of the Big Black, I’ll start guiding you back in.”
Wilmar ignored the chatter. He didn’t much care for Blakely; the guy was a weirdy. Back before they’d made the jump out here beyond uninhabitable Neptune , Blakely had held his hand up high, bragging to him how he’d subcuted a complete library of ancient pulp fiction into his palmreader. Whatever.
A four-EVA veteran now, Wilmar didn’t need Blakely to instruct him anyway. He planned to stay out for his full allotted time, and not because the session was costing him thousands of digidollars. This was his reward, for the thirteen hours spent daily in his work cubicle back home with his elbows pinned to his sides as he keyed. And for all the aggravation suffered on account of that slumlord Noyes, who’d ignored the muffling regulations in his compartment building.
Here he could get away from it all: from the ever-metastasizing metropolises, and the overpopulation practically sinking every continent on earth.
The situation had long since reached critical mass. World authorities knew there was no hope of keeping people abstinent, yet realized that they’d have to try to keep them quiet if civilization was to endure. Hence the formation of the Cacophony Cops—or Noise Nazis, as dubbed by those who ran afoul of the task forces and earned themselves a severe tongue-slashing.
Still, the stringent regulations did nothing to alleviate the crush of humanity, the legions of other people always storming your would-be buffer zone and stomping on your nerves. The endless crowds made you want to shriek—the very thing forbidden by the Hush Laws.
Then came Hugo Philnack, bless his entrepreneurial soul. Inspired by an old 20th-Century movie-poster tagline, he seized on the idea of rocketing passengers into Space (glorious word!), where they could scream their heads off ’til their hearts’ content in the great soundproofed surround. The former fireworks manufacturer used his federal buyout money to purchase a shuttle, the Router-1, and gave earthlings the opportunity (for a premium fee) to vent into the vacuum.
“Hugo-Nauts: Prepare for Ripoff!” the newstwitters scoffed initially, but Philnack had the last laugh after the first shipload of spacewalkers returned and raved—in judiciously muted tones—how they felt purged. After that, people scurried to secure a seat on subsequent flights.
Wilmar included. Four times now he’d journeyed Up-and-Out, and he relished each trip. Yet today a sudden doubt began to gnaw through his euphoria—did he really find this spacewalk equally satisfactory as the last? Sure, the screaming left him feeling like he’d been brought to orgasm—but by a lover whose moves were growing steadily familiar. He couldn’t help but fret: would the returns diminish further with next month’s already-booked excursion?
“NOOOO!” Out of nowhere, Blakely’s shrill denial crammed Wilmar’s headspace.
Wincing, Wilmar grabbed the umbilicus tethering him to the Router-1 and twisted around to stare daggers at Blakely. Instead, his eyes popped wide when he looked back the fifty feet.
There was no shuttle to be seen.
The Router-1 hadn’t vanished; it’d just been eclipsed—by the monstrosities swarming over the hull as if it were an enormous hive.
The pinkish things were a fever dream of a crustacean, at least five feet long each with multiple pairs of pincer-tipped limbs. But even such tenuous classification was belied by the veined-cellophane wings flaring batlike from the creatures’ backs. Their “heads,” meanwhile, were a nest of snubbed tentacles, some uncanny sea anemone undulating.
Wilmar started trembling inside his insulated spacesuit as he goggled at these physics-defying grotesques living and moving nakedly in the void. “Whatthehell,” he muttered.
The utterance was barely audible, yet the aliens turned to “face” him as if they’d heard his whisper in the darkness.
“No! Can’t be! Amigos!” Blakely shouted onboard. Wilmar couldn’t fathom the Liaison’s abrupt bilingual turn. Given the hysterical inflection of that last word, Blakely hardly considered the creatures friendly.
As the color of the creatures’ heads phased through countless unnamable shades, a buzzing sounded inside Wilmar’s helmet—a static-like hiss that drowned out Blakely’s transmissions. Wilmar realized his sensors must be picking up on some strange form of telepathy. The message communicated between those alien minds became frightfully clear, however, once the so-called “Amigo” nearest the umbilicus raised a serrated pincer.
The damned thing planned to unmoor him—to cast him off into infinity, sentence him to a slow, lonely death.
The sideways “V” of the creature’s claws bracketed the lifeline. Wilmar wanted to shout his dismay, but felt like he had a thick ball of phlegm plugging his throat.
He closed his eyes, shutting out the fateful snipping. An instant later his body jerked forward, and he looked and saw that rather than having scissored through the cord, the Amigo was reeling it in.
Each dexterous tug drew Wilmar closer to the swarmed shuttle. He could only muster a whimper as the nightmares’ wings thrummed in anticipation.
Additional agitation manifested within the alien heap, but Wilmar could process the movement only after glimpsing what was passed along to a top-tier Amigo. The thing’s hooked forelimbs now hugged a lidded silver canister.
Something about the size and shape of the obviously technological object tripped an instinctive alarm in Wilmar. He found his scream at last, and loosed it. A throat-scorching screech, protracted and no doubt deafening if Blakely was still tuned in. Wilmar wailed and wailed, as if he aimed to scream himself inverted, orally eviscerated. And all the while he prayed, to a God whose universal primacy now seemed a debunked myth, for the boon of insanity. This his only hope remaining, that he might completely lose his mind.
Before he surrendered his brain.
Labels:
Poetry/Flash Fiction
Friday, January 6, 2012
Macabre (Republic) in the Blogopshere
Macabre Republic is spotlighted (the latest installment of an ongoing "Meet the Horror Bloggers" feature) over at Mephisto's Castle. In the post, I offer my thoughts on the appeal of reading/
writing horror fiction and discuss the genesis of--and my goals for--Macabre Republic. Check it out here.
writing horror fiction and discuss the genesis of--and my goals for--Macabre Republic. Check it out here.
Labels:
Macabre in the Blogosphere
Wednesday, January 4, 2012
The Best Books of 2012(?)
The coming year certainly looks to be a banner one for genre fiction. Here's a QuickList of ten books fans should keep a watchful eye for in 2012:
1.The Croning by Laird Barron. I guess I jumped the gun when I put this first novel from the weird-tale maestro on last year's list. But I have no doubt Barron's book will be worth the wait.
2.Somewhere I Have Never Travelled by Alden Bell. Set in the same world as (and featuring some of the key characters from) the author's post-apocalyptic masterpiece, The Reapers Are the Angels.
3.The Troupe by Robert Jackson Bennett. Bradburian dark fantasy. I have a feeling that something wicked good this way comes.
4.The Twelve by Justin Cronin. Speaking of post-apocalyptic fiction...this timely-titled novel continues the epic story begun in The Passage.
5.Gone Girl by Gillian Flynn. If it is even half as good as Dark Places, this new mystery form the ultra-talented Flynn could be the runaway winner for Best Book of 2012 honors.
6.The Wind Through the Keyhole by Stephen King. A return to the world of The Dark Tower? Count me (and no doubt millions of others) in.
7.Edge of Dark Water by Joe R. Lansdale. "Mark Twain meets classic Stephen King," heralds the book copy. Now I'm on edge awaiting this release.
8.The Century's Best Horror Fiction, edited by John Pelan. Long overdue (I was starting to wonder if the title referenced the Twenty-first Century), this massive two-volume anthology collecting the top tales from 1901-2000 is finally ready to be published by Cemetery Dance.
9.The Dragon Griaule by Lucius Shepard. OK, this one ventures beyond the realm of American Gothic, but a collection of Shepard's incredible fantasy work (centered on a "dormant, not quite dead dragon measuring 6000 feet from end to end") is an absolute must-read.
10.Gothic High-Tech by Bruce Sterling. The latest collection from the most ingenious scribe in the science fiction field. Another highly anticipated release (along with Lucius Shepard's book) from Subterranean Press.
And there they are...ten books to keep bibliophiliacs in bliss all year long. Any other 2012 releases that you are eagerly anticipating? Feel free to cite them in the Comments section of this post.
1.The Croning by Laird Barron. I guess I jumped the gun when I put this first novel from the weird-tale maestro on last year's list. But I have no doubt Barron's book will be worth the wait.
2.Somewhere I Have Never Travelled by Alden Bell. Set in the same world as (and featuring some of the key characters from) the author's post-apocalyptic masterpiece, The Reapers Are the Angels.
3.The Troupe by Robert Jackson Bennett. Bradburian dark fantasy. I have a feeling that something wicked good this way comes.
4.The Twelve by Justin Cronin. Speaking of post-apocalyptic fiction...this timely-titled novel continues the epic story begun in The Passage.
5.Gone Girl by Gillian Flynn. If it is even half as good as Dark Places, this new mystery form the ultra-talented Flynn could be the runaway winner for Best Book of 2012 honors.
6.The Wind Through the Keyhole by Stephen King. A return to the world of The Dark Tower? Count me (and no doubt millions of others) in.
7.Edge of Dark Water by Joe R. Lansdale. "Mark Twain meets classic Stephen King," heralds the book copy. Now I'm on edge awaiting this release.
8.The Century's Best Horror Fiction, edited by John Pelan. Long overdue (I was starting to wonder if the title referenced the Twenty-first Century), this massive two-volume anthology collecting the top tales from 1901-2000 is finally ready to be published by Cemetery Dance.
9.The Dragon Griaule by Lucius Shepard. OK, this one ventures beyond the realm of American Gothic, but a collection of Shepard's incredible fantasy work (centered on a "dormant, not quite dead dragon measuring 6000 feet from end to end") is an absolute must-read.
10.Gothic High-Tech by Bruce Sterling. The latest collection from the most ingenious scribe in the science fiction field. Another highly anticipated release (along with Lucius Shepard's book) from Subterranean Press.
And there they are...ten books to keep bibliophiliacs in bliss all year long. Any other 2012 releases that you are eagerly anticipating? Feel free to cite them in the Comments section of this post.
Labels:
QuickLists
Sunday, January 1, 2012
Universal Monsters in Our Midst
Too much rowdiness in the village last night? Wake up this morning feeling as if your skull had been sawed open? Then pour the black coffee and take some comfort from this hardly-ugly mug.
Labels:
Universal Monsters in Our Midst
Subscribe to:
Posts (Atom)

